Dear lovers of Canadian books: For 10 years, since amendments to the Canadian Copyright Act, creators like me have not been paid by educational institutions when our work is copied. It’s meant a dramatic drop in writers’ incomes, which weren’t generous in the first place. It seems astonishing that institutions where people make good salaries, would refuse to pay writers a few cents per page for use of our work in their classrooms.
Please support amending the Copyright Act so I can keep telling Canadian stories. The “I Value Canadian Stories” website offers suggestions on how you can do so.
Sisters in the Brotherhood
On August 4, 2022 Kate (centre in photo) gave a talk and reading at a Sisters in the Brotherhood Conference, which was sponsored by the Brotherhood of Carpenters and Joiners of America. The event was held in Las Vegas and attended by 525 union women carpenters from all over North America.
Poetry for Ukraine
On April 2, 2022, over 30 Canadian poets participated in a marathon poetry reading in support of Ukraine, following the start of Russia’s war against Ukraine. Each wrote a new poem for the occasion.
The readings can be viewed on YouTube. Kate’s reading is at 31.29 minutes in Part 2 (the video below).
A book of these poems is available. You can ask your local bookstore to order it in for you.
Poems in Response to Peril: An Anthology in Support of Ukraine
Edited by Penn Kemp and Richard-Yves Sitoski
Pendass Productions, Laughing Raven Press
In the decade since the publication of the first edition of In Fine Form, there has been a resurgence of Canadian poets writing in “form” – in sonnets, ghazals, villanelles and palindromes. The first edition was called “groundbreaking” and “a landmark text.” Since then, In Fine Form has been widely used in classrooms and at large, by students, writers and readers. With 180 poems and almost 50 new poets, this 2nd edition continues to break new ground, exploring new forms not acknowledged in most other anthologies including prose poems, found poems and spoken word.
On the Roof with Death
When sawdust rolls like marbles under our boots
on the newly sheathed roof three storeys up
we talk of falling. It’s like butter boxes, Dale says.
We could slide real good. Only hurts when you land!
He yells this suddenly
as if to warn the neighbours.
Dale is a journeyman.
I am his apprentice.
You know the people who live for the moment, he says,
laughing. They yell “Whee!” all the way down.
“Since women started working in the trades in the 1970s, very little has been published about their experiences. In this provocative and important book, Kate Braid tells the story of how she learned the carpentry trade in the face of skepticism and discouragement.
She was one of the first qualified women carpenters in British Columbia, the first woman to join the Vancouver local of the Carpenters’ Union, the first to teach construction full-time at the BC Institute of Technology and one of the first women to run her own construction company. Though she loved the work, it was not an easy career choice but slowly she carved a role for herself, asking first herself, then those who would challenge her, why shouldn’t a woman be a carpenter?
Told with humour, compassion and courage, Journeywoman is the true story of a groundbreaking woman finding success in a male-dominated field.”
I parachute into man’s country,
hoist my beer in the bar as if native.
Cool, I talk shop, stand as they stand,
not quite sure
of the cocky swing of hips,
lift of the glass in a loud bass,
This is the world of the knowing.
It’s only a small slip into a minor key
when I turn left to go to the Ladies.
The image of me out there – Ice Man –
it’s only image. I don’t want to show
how it all comes from the blood, from inside, you know?
I only tell you this now because I’m drunk on sound.
Tomorrow I will deny it.
Blood? What blood? I am Bach